@inbook {de_rijke_scribble_2023,
	title = {Scribble on Screens and by Machines},
	booktitle = {The Untimely Art of Scribble},
	series = {Landscapes: the Arts, Aesthetics, and Education},
	year = {2023},
	pages = {163{\textendash}194},
	publisher = {Springer Nature},
	organization = {Springer Nature},
	address = {Singapore},
	abstract = {This chapter explores examples of both {\textquoteleft}deep{\textquoteright} and {\textquoteleft}shallow{\textquoteright} screen scribbles, without intending a positive or negative value judgement on either. Scribble features on screen from the first robots, television, video and digital experiments, both as {\textquoteleft}deep,{\textquoteright} unanswered experiments questioning human consciousness, sensory perception, meaning or understanding, as well as what could be considered more {\textquoteleft}shallow{\textquoteright} entertaining forays, offering answers into what might be meant by the art of play, creativity or imagination. In this chapter, scribble{\textquoteright}s contribution to a greater understanding of perception are explored via the phenomena of synaesthesia and flux. It marshals evidence against the notion of a disembodied mind for the {\textquoteleft}spatial orientation{\textquoteright} of human experience, such as {\textquoteleft}on{\textendash}off, deep-shallow, central-peripheral{\textquoteright} as meaning that {\textquoteleft}traffics in patterns, images, qualities, feelings and eventually concepts and prepositions{\textquoteright}. Scribble -in flux on screen and by machines- is one of those meaning patterns.},
	isbn = {978-981-9921-46-1},
	doi = {10.1007/978-981-99-2146-1_7},
	url = {https://doi.org/10.1007/978-981-99-2146-1_7},
	author = {de Rijke, Victoria}
}
